5 SIMPLE TECHNIQUES FOR CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They in many cases are yearning romantics, using this type of variation: Buster appears to be a plausible mate, as well as the Tramp rarely seems to possess a libido, only idealized notions. If their comedies had been designed in a more liberated time, it is achievable to imagine Keaton in mattress with a lady, but disquieting to consider the Tramp